My interdisciplinary practice aims to heal and restore our understanding of our environment and ourselves as relational beings. In my written publications, collages, and large photo-weave constructions I utilize scientific research, spiritual teachings, craft and visual imagery to elicit knowledge via ideas and images of nature, dance, domesticity and technology. I use slow processes such as in-depth research, cross-disciplinary and historical references, weaving, painting, and analog photography to bring together new visions of reality and models for New Earth.

I am drawn to science, nature, and spirituality as guiding forces. Ecofeminist themes in my work express being a maternal caregiver and steward of the natural world, as well as a drive to elevate the histories and legacy of women artists in order to build new models of being.

My large constructions negotiate between the screen and the loom. They create relationships between shaped analog, large-format black and white gelatin silver prints or color C-prints mounted on aluminum, and handmade weavings. My large weavings are made by hand in a laborious and meditative process from natural fibers on custom-built shaped looms. The weavings are displayed on the loom on which they were made, as an indication of their creation process. My smaller work consists of drawings and collages that combine weavings with photographs, as well as watercolor and oil paintings of women dancing. The curvy, body-like dunes signify aridity and express an ecofeminist concept concerning how both nature and women are mistreated by the dominion of patriarchal systems.

I also make videos. My video artwork developed from my practice as a painter and photographer, as well as my studies in fine art, film, and philosophy. All of my video work involves traveling and social immersion. I set up local relations by organizing gatherings for local populations or by working with a local guide.

The use of slow art, domestic labor in cooking and weaving, and the forms of landscapes and bodies, connect the work with women throughout history and cultures. Each work of art is presented as a way to counter narratives of hegemonic masculinity, and the myth of separateness amidst people and between humans and nature.